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Message de niskie posté le 28-11-2012 à 07:33:43 (S | E | F)
Bonjour à tous et à toutes !
Je passe aujourd'hui en anglais (deuxième année de licence) sur un exposé, on a choisi le film The Boat that Rocked (titre original de Good Morning England.)
Je suis vraiment mauvais en anglais, d'autant qu'on a depuis deux ans très peu de pratique.
J'aurais aimé que quelqu'un qui maîtrise bien l'anglais me corrige (je fais la partie sur l'esthétisme visuel du film,) et me dise s'il y a de grosses incohérences (en fait, c'est sûr qu'il y en a, mais je voudrais savoir OÙ ..)
Voici le texte :
The Boat that Rocked
POWERPOINT :
[The general atmosphere of the two worlds is very different, as we have seen with the characters and this is exacerbated by:
- The Staging of characters
- The Decor: in line with the appearance of characters
- The Framing: highlights an atmosphere that rock, and one that stagnates. ]
Richard Curtis has gone from a simple idea: the nostalgic pirate radio which symbolized the wind of change on the youth of the late 60's. He then developed parallel themes: the impact of radio on the British population, the sex life of men in a confined space, the rivalry between DJs disproportionate ego, the government's fight against this retrograde home moral sedition, and the pursuit of father of Carl. So maybe sometimes, the film includes some lengths, the scenario is a bit chaotic with all these interwoven themes, but what make that we appreciate to watch this movie is this atmosphere of freedom, which we will discuss later. This atmosphere is greatly enhanced in the aesthetics of film: casting, costumes, sets, staging...
Different responses to these ideas are supported visually: the DJs that broadcast, the British listeners, and the government fighting against these pirate radio stations.
Listeners are typical British during the sixties, all generations. They are shown in the musical passages of the film which has already been mentioned, they represent just fun to listen to these radios prohibited and the pleasure of listening to good music. The impact of Radio Rock on the auditors (who are fans, seen in several sequences) is accentuated by the diversity of the cast, costumes, and staging of each group.
Then we have two opposing worlds: a government ultra-rigid, and a motley crew composed of eccentric characters.
[EXTRACT]
The place is already decisive, the marginalized are left to their own rules on a boat, while the government is in a cocoon elitist, well in all aspects, but cold and boring in privacy.
As we have seen through the previous extracts, the boat is a living place. Characters each clash, but they all like to have fun, and this is what appears in the place: the recording studios radios, vinyls, posters, ashtrays and many other accessories form a happy mess.
Even if you take the actors, we know that this is the place of life of a mostly male group, enthusiasts of parties and music.
The government, in contrast, is very neutral. Places cleaned, empty, meaningless. Even tableful Christmas is impersonal. There is a semblance of Zen decoration in offices, but the characters themselves are not, it is an uncomfortable and cold atmosphere.
The use of these sites is in keeping with the environments of the two groups. On the boat, the characters use various accessories in their own way, and that creates a whole friendly. Dormandy, his colleagues and his family are completely embarrassed, narrow, and straight in their chairs. The cold ambient is accentuated by the distance between the characters, which are each separated by long tables.
And finally, the framing of the camera finishes highlight the difference (slightly caricatured) between two mindsets. At Radio Rock, the camera is moving, such as the eyes of a person inside the action that observe the different characters. Plans are often inclined, unstable, since we are on a boat.
Instead, at government, the image is fixed, oppressive. The short focal enlarged the distance between characters, and although the premises are spacious, it feels cramped.
To conclude about film photography is the emphasis - almost caricatured - of two worlds clashing during the sixties.
A group of different personalities, who are in confrontation and unite around the same passion: the pop and rock music. And, on the other side, a conservative group; where the personalities and the relations fade away, for the benefit of the order, in an austere atmosphere.
Merci beaucoup et très bonne journée !
-------------------
Modifié par lucile83 le 28-11-2012 07:38
Message de niskie posté le 28-11-2012 à 07:33:43 (S | E | F)
Bonjour à tous et à toutes !
Je passe aujourd'hui en anglais (deuxième année de licence) sur un exposé, on a choisi le film The Boat that Rocked (titre original de Good Morning England.)
Je suis vraiment mauvais en anglais, d'autant qu'on a depuis deux ans très peu de pratique.
J'aurais aimé que quelqu'un qui maîtrise bien l'anglais me corrige (je fais la partie sur l'esthétisme visuel du film,) et me dise s'il y a de grosses incohérences (en fait, c'est sûr qu'il y en a, mais je voudrais savoir OÙ ..)
Voici le texte :
The Boat that Rocked
POWERPOINT :
[The general atmosphere of the two worlds is very different, as we have seen with the characters and this is exacerbated by:
- The Staging of characters
- The Decor: in line with the appearance of characters
- The Framing: highlights an atmosphere that rock, and one that stagnates. ]
Richard Curtis has gone from a simple idea: the nostalgic pirate radio which symbolized the wind of change on the youth of the late 60's. He then developed parallel themes: the impact of radio on the British population, the sex life of men in a confined space, the rivalry between DJs disproportionate ego, the government's fight against this retrograde home moral sedition, and the pursuit of father of Carl. So maybe sometimes, the film includes some lengths, the scenario is a bit chaotic with all these interwoven themes, but what make that we appreciate to watch this movie is this atmosphere of freedom, which we will discuss later. This atmosphere is greatly enhanced in the aesthetics of film: casting, costumes, sets, staging...
Different responses to these ideas are supported visually: the DJs that broadcast, the British listeners, and the government fighting against these pirate radio stations.
Listeners are typical British during the sixties, all generations. They are shown in the musical passages of the film which has already been mentioned, they represent just fun to listen to these radios prohibited and the pleasure of listening to good music. The impact of Radio Rock on the auditors (who are fans, seen in several sequences) is accentuated by the diversity of the cast, costumes, and staging of each group.
Then we have two opposing worlds: a government ultra-rigid, and a motley crew composed of eccentric characters.
[EXTRACT]
The place is already decisive, the marginalized are left to their own rules on a boat, while the government is in a cocoon elitist, well in all aspects, but cold and boring in privacy.
As we have seen through the previous extracts, the boat is a living place. Characters each clash, but they all like to have fun, and this is what appears in the place: the recording studios radios, vinyls, posters, ashtrays and many other accessories form a happy mess.
Even if you take the actors, we know that this is the place of life of a mostly male group, enthusiasts of parties and music.
The government, in contrast, is very neutral. Places cleaned, empty, meaningless. Even tableful Christmas is impersonal. There is a semblance of Zen decoration in offices, but the characters themselves are not, it is an uncomfortable and cold atmosphere.
The use of these sites is in keeping with the environments of the two groups. On the boat, the characters use various accessories in their own way, and that creates a whole friendly. Dormandy, his colleagues and his family are completely embarrassed, narrow, and straight in their chairs. The cold ambient is accentuated by the distance between the characters, which are each separated by long tables.
And finally, the framing of the camera finishes highlight the difference (slightly caricatured) between two mindsets. At Radio Rock, the camera is moving, such as the eyes of a person inside the action that observe the different characters. Plans are often inclined, unstable, since we are on a boat.
Instead, at government, the image is fixed, oppressive. The short focal enlarged the distance between characters, and although the premises are spacious, it feels cramped.
To conclude about film photography is the emphasis - almost caricatured - of two worlds clashing during the sixties.
A group of different personalities, who are in confrontation and unite around the same passion: the pop and rock music. And, on the other side, a conservative group; where the personalities and the relations fade away, for the benefit of the order, in an austere atmosphere.
Merci beaucoup et très bonne journée !
-------------------
Modifié par lucile83 le 28-11-2012 07:38
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